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OUTCAST STUDIOS CHEMICAL LANDSCAPE GHOST MIRROR L40" x H20"
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OUTCAST STUDIOS CHEMICAL LANDSCAPE GHOST MIRROR L40" x H20"

OUTCAST STUDIOS CHEMICAL LANDSCAPE GHOST MIRROR L40" x H20"

OUTCAST STUDIOS

Gregory Nangle began using ÉglomisĂ© in 2001 to make a series of sculptures relating to literary works he was studying at the time. Eugene O’Neill in his famous “Long Days Journey Into Night” employed the backdrop of “Fog” as a literary device dealing with themes like uncertainty, identity, perception, and obfuscation. Gregory saw many parallels in the process and use of mirrors. 

$4,000.00
OUTCAST STUDIOS CHEMICAL LANDSCAPE GHOST MIRROR L40" x H20"—
$4,000.00

OUTCAST STUDIOS CHEMICAL LANDSCAPE GHOST MIRROR L40" x H20"

OUTCAST STUDIOS

Gregory Nangle began using ÉglomisĂ© in 2001 to make a series of sculptures relating to literary works he was studying at the time. Eugene O’Neill in his famous “Long Days Journey Into Night” employed the backdrop of “Fog” as a literary device dealing with themes like uncertainty, identity, perception, and obfuscation. Gregory saw many parallels in the process and use of mirrors. 

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OUTCAST STUDIOS

Gregory Nangle began using ÉglomisĂ© in 2001 to make a series of sculptures relating to literary works he was studying at the time. Eugene O’Neill in his famous “Long Days Journey Into Night” employed the backdrop of “Fog” as a literary device dealing with themes like uncertainty, identity, perception, and obfuscation. Gregory saw many parallels in the process and use of mirrors. 

OUTCAST STUDIOS CHEMICAL LANDSCAPE GHOST MIRROR L40" x H20" | GARDE