ABIGAIL OZORA SIMPSON CERAMIC SCULPTURE
ABIGAIL OZORA SIMPSON
Abigail hand coils large sculptures using coarse black and pink stoneware clays that are fired to a high temperature. Some of these pieces are monumental in size and every piece is unique.Ā She is interested in the raw visceral properties of the clay and also in juxtaposition: groups of objects, their relationships, either coherent or non-coherent and how the ancient history of ceramics can touch the possibility of pure sculpture.
Ā
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ABIGAIL OZORA SIMPSON CERAMIC SCULPTURE
ABIGAIL OZORA SIMPSON
Abigail hand coils large sculptures using coarse black and pink stoneware clays that are fired to a high temperature. Some of these pieces are monumental in size and every piece is unique.Ā She is interested in the raw visceral properties of the clay and also in juxtaposition: groups of objects, their relationships, either coherent or non-coherent and how the ancient history of ceramics can touch the possibility of pure sculpture.
Ā
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ABIGAIL OZORA SIMPSON
Abigail hand coils large sculptures using coarse black and pink stoneware clays that are fired to a high temperature. Some of these pieces are monumental in size and every piece is unique.Ā She is interested in the raw visceral properties of the clay and also in juxtaposition: groups of objects, their relationships, either coherent or non-coherent and how the ancient history of ceramics can touch the possibility of pure sculpture.
Ā
